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	<title>The Real Review &#187; Oscar Petersen</title>
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	<description>theatre reviews by Mail &#38; Guardian theatre critic,  Brent Meersman</description>
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		<title>Waiting for Godot (Little Theatre)</title>
		<link>http://realreview.co.za/2010/05/21/waiting-for-godot-little-theatre/</link>
		<comments>http://realreview.co.za/2010/05/21/waiting-for-godot-little-theatre/#comments</comments>
		<pubDate>Fri, 21 May 2010 16:32:24 +0000</pubDate>
		<dc:creator>Brent Meersman</dc:creator>
				<category><![CDATA[South Africa]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Damon Galgut]]></category>
		<category><![CDATA[David Isaacs]]></category>
		<category><![CDATA[Graham Weir]]></category>
		<category><![CDATA[Oscar Petersen]]></category>
		<category><![CDATA[Samuel Beckett]]></category>

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		<description><![CDATA[Director Peter Hall recalled that when Samuel Beckett’s Waiting for Godot opened in London it was greeted with derision and incomprehension by the critics. The story at least goes that critic Harold Hobson left the auditorium, but was persuaded to go back inside and trust the experience. Hobson then wrote a panegyric, and Beckett mania [...]]]></description>
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		<title>Joe Barber 5 &#8211; School Cuts (Baxter) Until March 20</title>
		<link>http://realreview.co.za/2010/02/12/joe-barber-5-school-cuts-baxter-until-march-20/</link>
		<comments>http://realreview.co.za/2010/02/12/joe-barber-5-school-cuts-baxter-until-march-20/#comments</comments>
		<pubDate>Fri, 12 Feb 2010 05:26:09 +0000</pubDate>
		<dc:creator>Brent Meersman</dc:creator>
				<category><![CDATA[South Africa]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[David Isaacs]]></category>
		<category><![CDATA[Heinrich Reissenhoffer]]></category>
		<category><![CDATA[Oscar Petersen]]></category>

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		<description><![CDATA[This time around, there seems to be more of Isaacs and Petersen as themselves than as their characters ¬– the beloved and localised commedia dell’arte style creations – Boeta Joe and Boeta Gamat, Gamat’s wife, Washiela, and the picaresque Outjies.]]></description>
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		<title>Joe Barber 4 (Baxter)</title>
		<link>http://realreview.co.za/2008/01/25/joe-barber-4-baxter/</link>
		<comments>http://realreview.co.za/2008/01/25/joe-barber-4-baxter/#comments</comments>
		<pubDate>Fri, 25 Jan 2008 14:58:30 +0000</pubDate>
		<dc:creator>Brent Meersman</dc:creator>
				<category><![CDATA[South Africa]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[David Isaacs]]></category>
		<category><![CDATA[Heinrich Reissenhoffer]]></category>
		<category><![CDATA[Oscar Petersen]]></category>

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		<description><![CDATA[Based on a real barbershop in Parkwood, Joe Barber started in a 20-seat theatre in Tamboerskloof. Back in 1999, the theatre audience was mostly white, and the show was groundbreaking. It introduced a brand of dignified yet self-deprecating Cape humour and a range of characters vividly sketched from life on the Flats though never depicted before on stage.
]]></description>
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		<title>Stuotgatpassie (Baxter)</title>
		<link>http://realreview.co.za/2006/10/06/stuotgatpassie-baxter/</link>
		<comments>http://realreview.co.za/2006/10/06/stuotgatpassie-baxter/#comments</comments>
		<pubDate>Fri, 06 Oct 2006 10:17:52 +0000</pubDate>
		<dc:creator>Brent Meersman</dc:creator>
				<category><![CDATA[South Africa]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Bronwyn van Graan]]></category>
		<category><![CDATA[Dario Fo]]></category>
		<category><![CDATA[David Isaacs]]></category>
		<category><![CDATA[Mbulelo Grootboom]]></category>
		<category><![CDATA[Oscar Petersen]]></category>
		<category><![CDATA[Sandra Temmingh]]></category>

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		<description><![CDATA[
The title Dario Fo gave his Nobel lecture was Contra Jogulatores Obloquentes – a law from 1221 ‘against jesters who defame and insult’. Promulgated by Emperor Frederick II it granted legal immunity to any outraged citizen who assaulted or killed a jester. Fortunately, we have a constitution guaranteeing freedom of speech to artists, for Stoutgatpassie [...]]]></description>
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